Free PDF Collecting Art for Love, Money and More, by Ethan Wagner
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Collecting Art for Love, Money and More, by Ethan Wagner
Free PDF Collecting Art for Love, Money and More, by Ethan Wagner
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Review
"A must read for anyone that is just starting their collecting journey!"—BMW Art Guide by Independent Collector's blog, 'Collector's Corner'"Impressive... captur[es] the thrill of collecting."—Aesthetica"Embraces the thrills, ups, downs and of course, advantageous aspects of collecting art... Thea and Ethan Wagner are your authors and amidst entertaining anecdotes and experiences they've had as huge art collectors for three decades, they explain how to navigate the art market and access the world of galleries, auction houses, art fairs and biennales... Definitely worth getting a copy... A great read for those interested in art in all forms."—BeautifulCrime.com"Comprehensive... Rich with anecdotes... A more diverting read than might be expected of a vade mecum to the art market... Written in a conversational tone that suggests the authors are experienced in putting others at their ease... The authors are to be applauded for their efforts to demystify the process... Reassuring to any readers making their first steps towards buying art."— The Art Newspaper, Frieze New York Daily Edition"New York-based art advisers Thea Westreich Wagner and Ethan Wagner have made a career out of cutting through the hype... They've penned a comprehensive new book that looks at every facet of collecting from the adrenaline rush of discovery to the challenges of figuring out [what] will still be valuable in 2025."—The Wall Street Journal" A how-to book... from two of the sharpest eyes in contemporary art... It would be hard to imagine two better-qualified guides for these choppy, sometimes disgusting, often ecstatic waters."—Jerry Saltz for New York Magazine"On one hand, a lively and accessible history of art collecting... On the other, it's something of a best practices guide for budding collectors."—Art in America"Wife-and-husband art advisers... offer an insider-y view of high-stakes art collecting and what motivates great collectors. Informal and chatty writing adds appeal."—Traditional Home"Provides intelligent, useful insight for art lovers, artists, and anyone curious about contemporary art and the art market... Through provocative, compelling photographs of contemporary art, art spaces, curators, and collectors, and descriptions of international art fairs, intimate gatherings with artists and curators and various ways to approach collecting... This smartly designed book gives readers a taste of the competition, passion, pitfalls, and glamour of the art world as experienced through a collector's unique viewpoint."—Publishers Weekly
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Product details
Hardcover: 208 pages
Publisher: Phaidon Press; 1 edition (April 2, 2013)
Language: English
ISBN-10: 9780714849775
ISBN-13: 978-0714849775
ASIN: 0714849774
Product Dimensions:
7.2 x 1 x 10 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#690,580 in Books (See Top 100 in Books)
This is a wonderful resource for art lovers and art collectors. It is extremely helpful for aspiring art collectors. Well written, beautifully produced and easy to read and relatively inexpensive. Great to own and a terrific gift.
A great book that demystify collecting modern art.
The book is wonderful.
ty
Good book written from a person with an art interest from NY area. The rest of the country is ignored.
Collecting art, especially the work of in-demand emerging artists, is opaque and difficult to say the least. In the book's promotional blurb it promises to reveal the "secrets of successful collectors" and offer advice on "discovering new talent and accessing the best work to getting the highest returns on investment." Unfortunately the answer to both of these problems is to hire an art advisor. And what do you know, the authors happen to run an art advisory business. It probably shouldn't come as much of a surprise but you aren't going to get any secrets or insider tips on how to get access to the best work. One bit of advice they do offer that might help you get a coveted artwork: tell the art dealer or gallery representing the artist that you plan on donating the work to a museum. Any takers? This book is probably a great promotional handout to the author's prospective clients but otherwise it's an epic fail.
This book I picked up at my library recently on the premise that, yes, I could still use some more insight on how that all works. On the cover there was a cartoonish picture of a man in an Eames chair sitting in front of tall, colorful sculpture that looks a lot like Willy Wonka's "Everlasting Gobstopper" gone out of control, almost literal eye-candy if you will. And that is all it really takes for me, unless another artist, or literary-type verbally reaches inside through the telephone and twists my arm about a must read. It has quotes in the margins for those of you with no time or attention-span to actually read drawn from interviews with collectors and stories of collectors who've done well, like John Quinn. What? You don't know of John Quinn? What kind of art aficionado are you, anyway? It is packed with photos and illustrations, again with a cartoonish humor. In it, under the topic of "The Impact of Personality" as regards artists I learned that Peter Paul Rubens was also an ambassador for the Habsburg monarchy, and helped broker peace between England and Spain when not futuristically cultivating the adjective "Ruben-esque". Talk about your Renaissance-man way out ahead of the curve before all the Renaissance Festivals! Further on, reading about developing relationships with artists it went on to say:"For avid collectors, visiting artists in their studios is an effective way to gain a deeper understanding of their praxis."This caused me concern. Getting so involved with your artist, at this point shouldn't you really be getting him or her to a dentist straight away to get that praxis cleaned out, and sent home with a prescription for some anti-biotics? Though I now know why Professor Turner was always groaning, "Praxis! Praxis! Praxis!" at the end of every life-drawing session.
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